Donald Judd Woodcut Prints
Donald Judd
Untitled, 1993-1994/ 2020
Full set of twenty woodcuts in cadmium red, cadmium yellow, cadmium orange, ultramarine blue, cerulean blue, cobalt blue, permanent green, viridian green, black, and alizarin crimson on handmade Korean paper.
The woodcuts consist of ten pairs of rectangles and grids. The prints reflect Judd´s most extensive use of color in his printmaking and comprise one of the largest series of prints he made. Each pair has one impression with a printed frame of color and one in which the same color is reversed and printed as the interior space of the frame. The dividing vertical and horizontal lines are specific to each pair, creating proportions 1:2, 1:3, 1:4, and 1.5
Judd was invited by Inkong Gallery, Seoul, to make a set of prints for a forthcoming exhibition for which he selected a local paper, Hanji, on which proofs were printed. These proofs, printed by master printer Robert Arber were approved by the artist in 1992-1993.
The full edition, unfinished in 1994, was completed by Arber and Judd Foundation in 2020.
23.5 x 31. 5 inches.
Edition of 25 +5 printers' proofs.
This edition is PP# 4, Unframed.
This portfolio is listed in the Schellman catalogue raisonné as numbers 271-290.
Donald Judd
Untitled, 1993-1994/ 2020
Full set of twenty woodcuts in cadmium red, cadmium yellow, cadmium orange, ultramarine blue, cerulean blue, cobalt blue, permanent green, viridian green, black, and alizarin crimson on handmade Korean paper.
The woodcuts consist of ten pairs of rectangles and grids. The prints reflect Judd´s most extensive use of color in his printmaking and comprise one of the largest series of prints he made. Each pair has one impression with a printed frame of color and one in which the same color is reversed and printed as the interior space of the frame. The dividing vertical and horizontal lines are specific to each pair, creating proportions 1:2, 1:3, 1:4, and 1.5
Judd was invited by Inkong Gallery, Seoul, to make a set of prints for a forthcoming exhibition for which he selected a local paper, Hanji, on which proofs were printed. These proofs, printed by master printer Robert Arber were approved by the artist in 1992-1993.
The full edition, unfinished in 1994, was completed by Arber and Judd Foundation in 2020.
23.5 x 31. 5 inches.
Edition of 25 +5 printers' proofs.
This edition is PP# 4, Unframed.
This portfolio is listed in the Schellman catalogue raisonné as numbers 271-290.
Donald Judd
Untitled, 1993-1994/ 2020
Full set of twenty woodcuts in cadmium red, cadmium yellow, cadmium orange, ultramarine blue, cerulean blue, cobalt blue, permanent green, viridian green, black, and alizarin crimson on handmade Korean paper.
The woodcuts consist of ten pairs of rectangles and grids. The prints reflect Judd´s most extensive use of color in his printmaking and comprise one of the largest series of prints he made. Each pair has one impression with a printed frame of color and one in which the same color is reversed and printed as the interior space of the frame. The dividing vertical and horizontal lines are specific to each pair, creating proportions 1:2, 1:3, 1:4, and 1.5
Judd was invited by Inkong Gallery, Seoul, to make a set of prints for a forthcoming exhibition for which he selected a local paper, Hanji, on which proofs were printed. These proofs, printed by master printer Robert Arber were approved by the artist in 1992-1993.
The full edition, unfinished in 1994, was completed by Arber and Judd Foundation in 2020.
23.5 x 31. 5 inches.
Edition of 25 +5 printers' proofs.
This edition is PP# 4, Unframed.
This portfolio is listed in the Schellman catalogue raisonné as numbers 271-290.